Leonardo da vinci
Leonardo da vinci's Oil Paintings
Leonardo da vinci Museum
April 15, 1452 – May 2, 1519. Italian painter.

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Leonardo Da Vinci
The Madonna of the Carnation

ID: 01101

 Leonardo  Da Vinci The Madonna of the Carnation
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 Leonardo  Da Vinci The Madonna of the Carnation


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Leonardo Da Vinci

  Related Paintings of Leonardo Da Vinci :. | Virgin and Child with St Anne | The Last Supper-l | The Baptism of Christ | Leda | The Annunciation-o |
Related Artists:
Giulio Cesare Procaccini
1574-1625 Italian Giulio Cesare Procaccini Gallery Giulio Cesare Procaccini (1574-1625) was an Italian painter and sculptor of the early Baroque era in Milan. Born in Bologna he was son of the Mannerist painter Ercole Procaccini the Elder and brother of Camillo Procaccini and Carlo Antonio Procaccini. The family moved to Milan around 1585 with the help of the rich art collector Pirro Visconti. He began as a sculptor in the Cathedral and in the Milanese church of Santa Maria presso San Celso. In 1610 he painted six of the Quadroni, large canvases celebrating Saint Charles Borromeo . Among his many altarpieces are the Circumcision now in Galleria Estense, Modena (c.1616) and the Last Supper (1616) for Convent associated with the Basilica della Santissima Annunziata del Vastato in Genoa. He also painted the Scourging of Christ. He worked with Giovanni Battista Crespi (il Cerano) and Pier Francesco Mazzucchelli (il Morazzone) following the directions of Cardinal Federico Borromeo, patron of the arts and cousin of Charles Borromeo. He also painted small religious canvases for rich families, in Milan and in Genoa, where he saw the works of Rubens. His style shows the influence of Bolognese Mannerism and Venetian colorism and marks the beginning of the Baroque.
Frederick George Cotman
British Painter , 1850-1920
Phillips, Ammi
American Folk Artist, 1788-1865 American painter. Apparently self-taught, he began his prolific and successful career as a portrait painter c. 1811. During his lifetime, he moved several times across the borders of New York, western Connecticut and Massachusetts in search of commissions. Like many of the itinerant artists of the 19th century, he struggled to achieve pictorial solutions and a distinctive style, yet he developed so dramatically that historians originally classified his paintings as the work of two different artists: 'The Border Limner' and 'The Kent Limner'. The earliest works, from his 'Border' period (c. 1812-19), are marked by simple forms, shaded outlines and soft, pastel colours. They include ambitious full-length portraits as well as three-quarter and bust-length examples (Dr Russell Dorr, c. 1814-15; Williamsburg, VA, Rockefeller Flk A. Col.). In the 1820s he experimented with techniques and formats, developing an attention to detail and naturalism that suggests the influence of Albany portrait painter Ezra Ames. By the 1830s, the decade of his 'Kent' portraits, his compositions present his sitters as large, stylized shapes that nearly fill the canvas, while his use of rich, saturated colours creates striking contrasts of light and dark. Typically in this decade, his female sitters are shown leaning forward while male sitters sit upright with one hand draped over a chairback. Among his most appealing and successful works are portraits of children from this period. Blond Boy with Primer,






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