Leonardo da vinci
Leonardo da vinci's Oil Paintings
Leonardo da vinci Museum
April 15, 1452 – May 2, 1519. Italian painter.

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Here are all the paintings of da vinci 03

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
88650 The Annunciation da vinci The Annunciation between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
88651 The Annunciation da vinci The Annunciation between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
88652 The Annunciation da vinci The Annunciation between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
88654 The Annunciation da vinci The Annunciation between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
10077 The Annunciation d da vinci The Annunciation d 1472-1475. Oil and tempera on wood. Uffizi Gallery, Florence, Italy
1106 The Annunciation-o da vinci The Annunciation-o Galleria degli Uffizi, Florence
41945 The Anunciacion da vinci The Anunciacion mk166 c. 1470 I wave and tempera on board of wood 98x217cm
10075 The Baptism of Christ da vinci The Baptism of Christ 1472-1475. Oil and tempera on wood. Uffizi Gallery,Florence
58583 The Baptism of Christ da vinci The Baptism of Christ The Baptism of Christ (1472?C1475)??Uffizi, by Verrocchio and Leonardo
7844 The Baptism of Christ (detail) sg da vinci The Baptism of Christ (detail) sg 1472-75 Oil on wood Galleria degli Uffizi, Florence
1090 The Battle of Anghiari da vinci The Battle of Anghiari Galleria degli Uffizi, Florence
44883 The Battle of Anghiari da vinci The Battle of Anghiari mk176 1503-06 Oil on plaster
28338 The Benois Madonna da vinci The Benois Madonna Oil on canvas Transferred from panel 19 1/2x12 1/2"
38539 The embryo in the Uterus da vinci The embryo in the Uterus mk137 ca.1510-1512 feather and ink with India ink uber Rotel 30x21.5cm Royal Library, Windsor Castle
38540 The Fotus in the Uterus da vinci The Fotus in the Uterus mk137 ca.1511-1513 feather and ink 30.5x22cm Royal Library, Windsor Castle
42648 The last dinner da vinci The last dinner MK169 ca.1495-98 Mural 460x856cm
34472 The Last Supper da vinci The Last Supper mk93 1495-98 Fresco,Approx 29x15ft Santa Maria delle Grazie Milan
40265 The Last Supper da vinci The Last Supper mk156 1495-1498 Oil and tempera on stone 460x880cm
55981 the last supper da vinci the last supper mk247 1495 to 98,fresco,180x346 in,460x879 cm,convent of santa maria delle grazie,milan,ltaly
56818 The Last Supper da vinci The Last Supper mk250 About the Year in 1495-1498. Frescoes, 880 x 460 cm. Milan Thanksgiving Church of Our Lady canteen.
62018 The Last Supper da vinci The Last Supper mk276 1495 mural years 460 x 880cm
7866 The Last Supper (detail) sg da vinci The Last Supper (detail) sg 1498 Mixed technique Convent of Santa Maria delle Grazie, Milan
7865 The Last Supper sgu da vinci The Last Supper sgu 1498 Mixed technique, 460 x 880 cm Convent of Santa Maria delle Grazie, Milan
1077 The Last Supper-l da vinci The Last Supper-l 1495-98 Fresco Santa Maria dell Grazie, Milan
1101 The Madonna of the Carnation da vinci The Madonna of the Carnation Pinakothek, Munich
7854 The Madonna of the Carnation  g da vinci The Madonna of the Carnation g 1478-80 Oil on panel, 62 x 47,5 cm Alte Pinakothek, Munich
7856 The Madonna of the Carnation (detail) dg da vinci The Madonna of the Carnation (detail) dg 1478-80 Oil on panel, width of detail: 25 cm Alte Pinakothek, Munich
7855 The Madonna of the Carnation (detail) sg da vinci The Madonna of the Carnation (detail) sg 1478-80 Oil on panel Alte Pinakothek, Munich
38429 The madonna with the Children da vinci The madonna with the Children mk137 1475-1478 oil on linen of wood ubertragen 49.5x33cm Eremitage, St Peter castle
38507 The master of the Pala Sforzesca attributed da vinci The master of the Pala Sforzesca attributed mk137 Frauenbuste silver pencil 23.6x15.5cm Galleria degli Uffizi, Florence
38530 The muscles of arm, shoulder and neck da vinci The muscles of arm, shoulder and neck mk137 after 1510 feathers and ink with India ink 28.5x19.5cm Royal Library, Windsor Castle
38533 The muscles of Thorax and shoulders in a lebnden person da vinci The muscles of Thorax and shoulders in a lebnden person mk137 1510 feathers and brown ink and black chalk with India ink 29.8x19.8cm Royal Collection, Windsor Castle
38536 The organs of the woman da vinci The organs of the woman mk137 ca. 1509 feathers and ink uber charcoal and traces of Rotel with dark brown India ink 46.7x33.2cm Royal Library, Windsor Castle.
58587 The Portinari Altarpiece da vinci The Portinari Altarpiece The Portinari Altarpiece, by Hugo van der Goes for a Florentine family
7864 The Refectory with the Last Supper after restoration g da vinci The Refectory with the Last Supper after restoration g 1498 Convent of Santa Maria delle Grazie, Milan
38439 The Verkundigung da vinci The Verkundigung mk137 1472-1475 oils on wood chalkboard 98x217cm Galleria degli Uffizi, Florence
20097 The Virgin and Child with Anne (mk05) da vinci The Virgin and Child with Anne (mk05) Wood 66 1/4 x 51 1/4\'\'(168 x 130 cm)Entered the Louvre in 1636
83590 The Virgin and Child with St Anne da vinci The Virgin and Child with St Anne Date ca. 1510(1510) Medium Oil on wood Dimensions Height: 168 cm (66.1 in). Width: 130 cm (51.2 in). cjr
84105 The Virgin and Child with St Anne da vinci The Virgin and Child with St Anne Date ca. 1510(1510) Medium Oil on wood Dimensions Width: 40 cm (15.7 in). (of detail) cjr
7873 The Virgin and Child with St Anne  ey da vinci The Virgin and Child with St Anne ey c. 1510 Oil on wood, 168 x 130 cm Mus??e du Louvre, Paris
7875 The Virgin and Child with St Anne (detail)  f da vinci The Virgin and Child with St Anne (detail) f c. 1510 Oil on wood, width of detail 40 cm Mus??e du Louvre, Paris
7874 The Virgin and Child with St Anne (detail) s da vinci The Virgin and Child with St Anne (detail) s c. 1510 Oil on wood Mus??e du Louvre, Paris
33471 The Virgin and St Anne da vinci The Virgin and St Anne mk86 c.1508 Oil on wood 168x130cm Paris,Musee National du Louvre
21288 The Virgin and St Anne (mk08) da vinci The Virgin and St Anne (mk08) c.1508 Oil on wood,168x130cm Paris,Musee National du Louvre
41957 The Virgin and the Nino with Holy Ana da vinci The Virgin and the Nino with Holy Ana mk166 Between 1508 and 1510 Painting on wood 168x130cm
40277 The Virgin of the Rocks da vinci The Virgin of the Rocks mk156 1483-86 Oil on panel 199x122cm
41959 The Virgin of the rocks da vinci The Virgin of the rocks mk166 1483 I Wave on cloth 199x12cm Museum of the Louvre, Paris
42972 The Virgin of the Rocks da vinci The Virgin of the Rocks mk170 Cira 1508 Oil on wood 189.5x
86422 The Virgin of the Rocks da vinci The Virgin of the Rocks 1503-1506 Medium Oil on panel Dimensions 189.5 x 120 cm (74.6 x 47.2 in) cyf
58591 Unfinished painting of St. Jerome in the Wilderness da vinci Unfinished painting of St. Jerome in the Wilderness Unfinished painting of St. Jerome in the Wilderness, (c. 1480), Vatican
1098 Virgin and Child with St Anne da vinci Virgin and Child with St Anne Musee du Louvre, Paris
33454 Virgin and Child with St Anne and St John the Baptist da vinci Virgin and Child with St Anne and St John the Baptist mk86 c.1495 Charcoal,heightened with white on cardboard 144.5x104cm London,National Gallery
21275 Virgin and Child with St Anne and St John the Baptist (mk08) da vinci Virgin and Child with St Anne and St John the Baptist (mk08) c.1495 Charcoal,heightened with white , on cardboard 141.5x104cm London,National Gallery
55994 virgin and child with st.anne da vinci virgin and child with st.anne mk247 c.1510,oil on poplar,66x51 in,168x130 cm,louvre,paris,france
21287 Virgin of th Rock (mk08) da vinci Virgin of th Rock (mk08) c.1483 Oil on wood,transferred to canvas, 199x122cm Paris,Musee National du Louvre
33469 Virgin of the Rocks da vinci Virgin of the Rocks mk86 c.1483 Oil on wood Transferred to canvas 199x122cm Paris,Musee National du Louvre
33470 Virgin of the Rocks da vinci Virgin of the Rocks mk86 completed c.1506 Oil on wood 190x120cm London,National Gallery
44891 Virgin of the Rocks da vinci Virgin of the Rocks mk176 c.1485 Oil on wood 190.5x109.5
58592 Virgin of the Rocks da vinci Virgin of the Rocks Virgin of the Rocks, Louvre, possibly 1505?C1508, demonstrates Leonardo's interest in nature.
21762 Virgin of the Rocks (mk10) da vinci Virgin of the Rocks (mk10) Oil on canvas, 199 x 122 cm Paris,Musee du Louvre
21286 Virgin of the Rocks,completed (mk08) da vinci Virgin of the Rocks,completed (mk08) c.1506 Oil on wood 190x120cm Loudon,National Gallery
38529 Waiter flat anatomy of the shoulder da vinci Waiter flat anatomy of the shoulder mk137 ca.1510-1511 feather and ink with India ink uber wood cabbage cement floor 28.9x19.8cm Royal Library, Windsor Castle
58344 Woman portrait da vinci Woman portrait mk261 about 1478 Acupuncture paper silver screen, with white lead carbonate handle 28 x 19.9 cm
38537 You branching of the Blutgefabe, anatomical figure with heart kidneys and Blutgefaben da vinci You branching of the Blutgefabe, anatomical figure with heart kidneys and Blutgefaben mk137 ca. 1490 feathers and brown India ink uber of black chalk 28x20cm Royal Library, Windsor Castle

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da vinci
Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.
Leonardo da vinci
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