Leonardo da vinci
Leonardo da vinci's Oil Paintings
Leonardo da vinci Museum
April 15, 1452 – May 2, 1519. Italian painter.

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Here are all the paintings of da vinci 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
52741 A full-scale composition of the Virgin and Child with St Anne and the infant St John the Baptist da vinci A full-scale composition of the Virgin and Child with St Anne and the infant St John the Baptist mk223 before he left Milan,between 1497 and 1499
38467 A rock gorge da vinci A rock gorge mk137 ca. 1494 feathers and ink on paper 22x15.8cm Royal Library, Windsor Castle.
29403 Abendmahl da vinci Abendmahl mk66 1495-1497 Wandmalerei mit Ol und Tempera auf Putz 420x910cm S.Maria delle Grazie,Mailand
1104 Adoration of the Magi da vinci Adoration of the Magi Florence
33468 Adoration of the Magi da vinci Adoration of the Magi mk86 c.1481 Oil and bistre on wood 240x246cm Florence,Galleria degli Uffizi.
40251 Adoration of the Magi da vinci Adoration of the Magi mk156 c.1481 Tempera,oil,vanish and white lead on panel 246x243cm
94658 Adoration of the Magi da vinci Adoration of the Magi 1481 Type oil on wood Dimensions 246 cm x 243 cm (97 in x 96 in) cyf
21285 Adoration of the Magi (mk08) da vinci Adoration of the Magi (mk08) C.1481 Oil and bistre on wood 240x246cm Florence,Galleria degli Uffizi
38534 Anatomical drawing of the stomach and the intestine da vinci Anatomical drawing of the stomach and the intestine mk137 ca. 1506 feathers and brown India ink, traces of black chalk 19.2x13.8cm Royal Library, Windsor Castle
38538 Anatomical studies of the basin of the Steibeins and the lower Gliedmaben of a woman and study of the rotation of the arms da vinci Anatomical studies of the basin of the Steibeins and the lower Gliedmaben of a woman and study of the rotation of the arms mk137 ca.1509-1510 feather and brown India ink and black chalk 28.6x19.3cm Royal Library, Windsor Castle
38532 Anatomical study of the brain and the scalp da vinci Anatomical study of the brain and the scalp mk137 ca.1490-1493 feather and brown India ink and Rotel 20.3x15.2cm Royal Library, Windsor Castle
38528 Anatomy of the Schadels da vinci Anatomy of the Schadels mk137 1489 feathers and ink 19x13.3cm Royal Library, Windsor Castle.
56621 anna sjalv tredje da vinci anna sjalv tredje mk248 livet stralar fran marias moder moder annas buvud genom de tre generationerna i en intrikat, foljsam vagrorelse kallad contrapposto.
33247 Annunciation da vinci Annunciation mk83 c.1437-1475
58590 Annunciation da vinci Annunciation Annunciation (1475?C1480)??Uffizi, is thought to be Leonardo's earliest complete work
7845 Annunciation  sgt66 da vinci Annunciation sgt66 1472-75 Tempera on wood, 98 x 217 cm Galleria degli Uffizi, Florence
7857 Annunciation (detail)  fg47 da vinci Annunciation (detail) fg47 1478-82 Oil on panel Mus??e du Louvre, Paris
7848 Annunciation (detail) dfe da vinci Annunciation (detail) dfe 1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence
7846 Annunciation (detail) dg da vinci Annunciation (detail) dg 1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence
7858 Annunciation (detail) ey79 da vinci Annunciation (detail) ey79 1478-82 Oil on panel Mus??e du Louvre, Paris
7847 Annunciation (detail) sg77 da vinci Annunciation (detail) sg77 1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence
7849 Annunciation (detail) st da vinci Annunciation (detail) st 1472-75 Oil and tempera on wood Galleria degli Uffizi, Florence
38450 Aurelio Luini attributed, profile of an old man da vinci Aurelio Luini attributed, profile of an old man mk137 16.Jahrhundert. Feather metal stiff and ink 13x10.2cm Biblioteca real, Turin
94722 Bacchus da vinci Bacchus 1510-1515 Type Oil on walnut panel transferred to canvas Dimensions 177 cm x 115 cm (70 in x 45 in) cyf
20096 Bacchus (mk05) da vinci Bacchus (mk05) Canvas,69 1/2 x 45 1/2''(177 x 115 cm).Collection of Louis
52329 Battle of Anghiari da vinci Battle of Anghiari 1503-05 Oil on panel, 85 x 115 cm
86832 Benois Madonna da vinci Benois Madonna ca. 1478(1478) Medium English: oil on canvas (originally panel) Dimensions 49.5 x 31.8 cm (19.5 x 12.5 in) cyf
38449 Buste one frontal to seeing man and head of a Lowen da vinci Buste one frontal to seeing man and head of a Lowen mk137 ca.1505-1510 Rotel and Weibhohungen on paper 18.3x13.6cm Royal Library, Windsor Castle.
50879 Cartoon da vinci Cartoon mk216 Drew this cartoon,a full-scale composition of the Virgin and Child with St Anne and the Infant St John the Baptist.
25953 Cecila Gallerani (mk45) da vinci Cecila Gallerani (mk45) c.1484 Oil on panel. 54x40cm Krakow,Muzeum Narodowe
7867 Ceiling decoration  yy da vinci Ceiling decoration yy 1496-98 Fresco and tempera Sala delle Asse, Castello Sforzesco, Milan
1122 Christ's Head da vinci Christ's Head   
48637 Detail of Madonna of the Rocks da vinci Detail of Madonna of the Rocks mk191 Oil on board
48638 Detail of Madonna of the Rocks da vinci Detail of Madonna of the Rocks mk191 Flowers oil on the board
48639 Detail of Madonna of the Rocks da vinci Detail of Madonna of the Rocks mk191 Oil on board
30913 Details of Mona Lisa da vinci Details of Mona Lisa mk68 c.1507
44882 Drawing of an Infant da vinci Drawing of an Infant mk176 c.1510-12 Accademia venice
52331 Equestrian monument da vinci Equestrian monument 1517-18 Black chalk on paper, 278 x 184 mm
7872 Female head (La Scapigliata)  wt da vinci Female head (La Scapigliata) wt c. 1508 Oil on panel, 27 x 21 cm Galleria Nazionale, Parma
44880 Flower Studies da vinci Flower Studies mk176 c.1505-08
38522 Funf studies of grotesque faces da vinci Funf studies of grotesque faces mk137 ca. 1494 feathers and ink 26x20.6cm Royal Library, Windsor Castle.
38535 Gekrose of the intestine and its Gefabsystems da vinci Gekrose of the intestine and its Gefabsystems mk137 ca.1506 feather and India ink traces of black chalk 19.3x14.3cm Royal Library, Windsor Castle
38521 Grotesque profile of a man da vinci Grotesque profile of a man mk137 ca.1485-1490 feather and ink 12.6x10.4cm Biblioteca Ambrosiana, Milan
38518 Head and shoulders Christs da vinci Head and shoulders Christs mk137 ca.1490-1495 metal pencil 115x9cm Galleria Dell' Accademia Venice
63027 Head of a girl da vinci Head of a girl 1483 Silverpoint and white highlights on prepared paper, 181 x 159 mm Biblioteca Reale, Turin The eminent art expert Bernhard Berenson called this sheet "the most beautiful drawing in the world." It is thought to be a study for the angel in the Virgin of the Rocks in the Musee du Louvre, Paris. Artist: LEONARDO da Vinci Painting Title: Head of a girl , 1451-1500 Painting Style: Italian , graphics Type: study
45191 Hi Hieronymus da vinci Hi Hieronymus mk180 um 1480 Vatikanische Museen
70873 Hl. Anna, Maria, Christuskind mit Lamm da vinci Hl. Anna, Maria, Christuskind mit Lamm 1510(1510) Oil on panel 168 x 112 cm (66.14 x 44.09 in)
38464 Holy Hieronymus da vinci Holy Hieronymus mk137 1482 Tempera and oil on wood chalkboard 103x75cm Pinacoteca Vaticana, Rome
45892 Horses with horsemen da vinci Horses with horsemen mk178 after 1481 Metallstifizeichnung, with feather and brown India ink reinforced on Prapariertem paper 14.3x12.8cm
38527 Interior view of the Schadels da vinci Interior view of the Schadels mk137 1489 feathers and ink 19x13.3cm Royal Library, Windsor Castle
38433 Jacopo Bellini da vinci Jacopo Bellini mk137 that of Leonello d' Este madonna of the humility admired ca. 1440 oils on wood chalkboard 60x40cm muse you Louvre, Paris
94731 John the Baptist da vinci John the Baptist 1513-1516 Type Oil on walnut wood Dimensions 69 cm x 57 cm (27.2 in x 22.4 in) cyf
38497 Knieened figure in Draperie da vinci Knieened figure in Draperie mk137 ca. 1490 brushes black ink and grey India ink 21.2x15.9cm Royal Library, Windsor Castle
53718 Kvinnoportratt da vinci Kvinnoportratt mk234 about 1474 39x37cm
7861 La belle Ferronire dg da vinci La belle Ferronire dg c. 1490 Oil on panel, 63 x 45 cm Muse du Louvre, Paris
84872 La Belle Ferronniere da vinci La Belle Ferronniere Probably before 1750 Medium Oil on canvas cyf
1072 La Gioconda (The Mona Lisa) da vinci La Gioconda (The Mona Lisa) 1503-06 Musee du Louvre, Paris
56620 la scapigliata da vinci la scapigliata mk248 studie i olja, kanske en madonna, kand som kvinna med ostyrigt har.
30960 La Vierge,l'Enfant Jesus et sainte Anne da vinci La Vierge,l'Enfant Jesus et sainte Anne mk70 Bois. H.1,68 L.1,30 Paris,Musee du Louvre
40272 Lady with Emine da vinci Lady with Emine mk156 1483-1490 Oil on panel 54x39cm
53717 Lady with Ermine da vinci Lady with Ermine mk234 about 1485 54x39cm
38516 Lady with the ermine da vinci Lady with the ermine mk137 1483-1490 oil on wood chalkboard 54.8x40.3cm Czartoryski museum, Krakau
38465 Landscape in the Arnotal da vinci Landscape in the Arnotal mk137 1473 feathers and ink 19x28.5cm Galleria degli Uffizi, Florence
30446 Last Supper da vinci Last Supper mk68 Tempera 13'9x29'10" Milan,Convent of Santa Maria delle Grazie
33467 Last Supper da vinci Last Supper mk86 1495-1498 Oil tempera on plaster 460x880cm Milan,Santa Maria delle Grazie, Refectory
38513 Last Supper da vinci Last Supper mk137 1495-1498 oil and Tempera on stone 460x880cm Santa Maria della grace Milan
21284 Last Supper (mk08) da vinci Last Supper (mk08) 1495-1498 Oil tempera on plaster 460x880cm Milan,Santa Maria delle Grazie,Refectory
1083 Leda da vinci Leda Galleria Borghesee, Rome
92178 Leda da vinci Leda Oil on panel, 130 x 77,5 cm Galleria degli Uffizi, Florence Date between 1508(1508) and 1515 cyf
98293 Leda da vinci Leda Leda Date circa 1530(1530) Medium oil on panel cyf
7882 Leda  fh da vinci Leda fh 1510-15 Oil on panel, 112 x 86 cm Galleria Borghese, Rome
7881 Leda (detail) ghk da vinci Leda (detail) ghk 1508-15 Oil on panel, 130 x 77,5 cm Galleria degli Uffizi, Florence
28848 Leda and the Swan da vinci Leda and the Swan mk65 Panel 51 3/16x30 1/2in Uffizi,Depository
7880 Leda h da vinci Leda h 1508-15 Oil on panel, 130 x 77,5 cm Galleria degli Uffizi, Florence
38432 Leonardo there Vinci and Andrea del Verrocchio, madonna with the child and angels da vinci Leonardo there Vinci and Andrea del Verrocchio, madonna with the child and angels mk137 ca. 1470 Tempera on wood chalkboard 96.5x70.5cm The nationally Gallery London
58588 Lorenzo de Medici between Antonio Pucci and Francesco Sassetti, with Giulio de Medici, fresco by Ghirlandaio da vinci Lorenzo de Medici between Antonio Pucci and Francesco Sassetti, with Giulio de Medici, fresco by Ghirlandaio Lorenzo de' Medici between Antonio Pucci and Francesco Sassetti, with Giulio de' Medici, fresco by Ghirlandaio
38509 Madchenkopf with confused hair da vinci Madchenkopf with confused hair mk137 1500 Umbra and grunlicher Amber with Weibhohungen on wood chalkboard 24.7x21cm Galleria Nazionale, Parma
40971 Madonna and Child da vinci Madonna and Child mk159 c.1490-91 Tempera on canvas transferred from panel 42x33cm
52320 Madonna and Child with a Pomegranate da vinci Madonna and Child with a Pomegranate 1472-76 Oil on panel, 15,7 x 12,8 cm
7850 Madonna and Child with a Pomegranate et da vinci Madonna and Child with a Pomegranate et 1472-76 Oil on panel, 15,7 x 12,8 cm National Gallery of Art, Washington
52318 Madonna and Child with St Anne and the Young St John da vinci Madonna and Child with St Anne and the Young St John 1507-08
10078 Madonna Benois Madonna with a Flower da vinci Madonna Benois Madonna with a Flower 1475-1478. Oil on canvas Hermitage, St. Petersburg,Russia
53720 Madonna in the cave da vinci Madonna in the cave mk234 about 1508 190x120cm
38501 Madonna in the rock grotto da vinci Madonna in the rock grotto mk137 1483-1486 oil on linen 199x1222cm muse you Louvre, Paris
38496 Madonna in the rock grottos da vinci Madonna in the rock grottos mk137 1491-1508 oils on wood chalkboard 189.5x120cm The nationally Gallery, London
38502 Madonna in the rock grottos da vinci Madonna in the rock grottos mk137 1491-1508 oils on linen 189.5x120cm The nationally Gallery, London
38503 Madonna in the rock grottos(Details da vinci Madonna in the rock grottos(Details mk137 1491-1508 oils on linen 189.5x120cm The nationally Gallery, London
7863 Madonna Litta (detail sdg da vinci Madonna Litta (detail sdg c. 1490-91 Tempera on canvas, transferred from panel The Hermitage, St. Petersburg
7862 Madonna Litta ey da vinci Madonna Litta ey c. 1490-91 Tempera on canvas, transferred from panel, 42 x 33 cm The Hermitage, St. Petersburg
48636 Madonna of the Rocks da vinci Madonna of the Rocks mk191 about 1508 oil on board 189.5x120cm
56817 Madonna of the Rocks da vinci Madonna of the Rocks mk250 About the year 1485. Oil painting of wood, about 190.5 x 109.2 cm. The Louvre in Paris.
94672 Madonna of the Yarnwinder da vinci Madonna of the Yarnwinder c. 1499 onwards Type Oil on walnut Dimensions 48.3 cm x 36.9 cm (19.0 in x 14.5 in) cyf
40239 Madonna with a Flower da vinci Madonna with a Flower mk156 1478 Oil on canvas 49.5x33cm
40970 Madonna with a Flower da vinci Madonna with a Flower mk159 Oil on cnvas Transferred from panel 49.5x31.5cm
7853 Madonna with a Flower (Madonna Benois) g da vinci Madonna with a Flower (Madonna Benois) g c. 1478 Oil on canvas transferred from wood, 50 x 32 cm The Hermitage, St. Petersburg
38434 Madonna with the carnation da vinci Madonna with the carnation mk137 ca. 1470 oils Pinakothek Munchen old on wood chalkboard 62x47.5cm
44460 Madonna with the Yarnwinder da vinci Madonna with the Yarnwinder c. 1501 Oil on panel, 48,3 x 36,9 cm
83810 Madonna with the Yarnwinder da vinci Madonna with the Yarnwinder Date after 1510(1510) Medium Oil on panel, cjr
87709 Madonna with the Yarnwinder da vinci Madonna with the Yarnwinder 1510(1510) Medium Oil on panel, transferred to canvas cyf
89385 Madonna with the Yarnwinder da vinci Madonna with the Yarnwinder 1510(1510) Medium Oil on panel, transferred to canvas cyf

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da vinci
Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.
Leonardo da vinci
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